Old Dominion’s skyscraping anthems and electrifying live shows have put the Multi-Platinum- selling band prominently at the forefront of country music. Fusing clever lyrics and an infectious sound, their lyrical wit and hook-heavy songwriting has certainly proved to be a winning formula for Nashville’s hottest band. It’s no wonder Rolling Stone cited Old Dominion as “one of mainstream country music’s most popular live groups.” Since breaking onto the music scene, the band has notched nine No. 1 singles at country radio, surpassed five billion on-demand streams, earned a dozen RIAA Platinum and Gold single certifications, and headlined arenas and amphitheaters around the globe. In September, the band debuted a greatest hits compilation Odies but Goodies. The 31-track collection spans the band’s journey from lark to meaningful headliner in a way that pays tribute to what the fans ask for. Old Dominion are currently the reigning 7X Academy of Country Music and 7X Country Music Association “Group of the Year.” Most recently, they earned their seventh successive win for “Vocal Group of the Year” at the 2024 CMA Awards, breaking the record for most consecutive Vocal Group Award wins in CMA history. To celebrate this historic feat, the band performed a seven-show residency at Nashville’s legendary Ryman Auditorium this February, raising more than $1.25M for seven charities the band has been actively engaged with over their career.

Nashville's most unpredictable hitmaker ERNEST is “The Charmer” (MusicRow): a triple threat talent who “creates a sound all his own” (Pollstar) and one of Music City's defining artist-writers who continues to push and challenge the artistic status quo. The 2X ACM Award nominee, 2X CMA Triple Play Award winner, and2022 / 2023VarietyHitmaker fuses influences ranging from Eminem to George Jones, crafting a twist-heavy verse style that's become his signature, proving its mettle, and earning him eleven No. 1 hits as a songwriter and one No. 1 at country radio himself. The eccentric free spirit just released his highly anticipated full-length sophomore album, NASHVILLE, TENNESSEE, a set that “maintain(s) Nashville's tethering to its legendary history while wholly embracing the soul of the city's future” (The Tennessean), featuring 26 new originals and collaborations with genre tastemakers Lainey Wilson, Lukas Nelson, Jelly Roll, HARDY, and more. The album has been shortlisted as one of the Best of the Year So Far by Billboard, The Tennessean, and Country Now, following in the footsteps of its critically acclaimed predecessor, FLOWER SHOPS (THE ALBUM), and its cleverly-expanded deluxe edition, FLOWER SHOPS (THE ALBUM): Two Dozen Roses, which added a baker’s dozen of fresh cuts to the bunch.

The buzz around Warner Music Nashville country artist Redferrin is impossible to ignore as one of Nashville’s most unorthodox and innovative new singer/songwriters. His recent releases are full of adrenaline-pumping energy and rebellious swagger, providing just a sample of the kaleidoscopic musical textures he can create. With lyrics that serve as a manifesto for his take-it-or-leave-it style, Redferrin wants the new music to become a sonic mirror held up to today’s rural culture. Born Blake Redferrin, the White House, Tennessee native spent his first 24 years on the pegs of a dirt bike, now harnessing that thrill-seeking spirit and relentless drive for a new kind of sound. He already boasts several successful cuts, including Florida Georgia Line’s hip- hop inspired “Countryside,” Nelly’s recent smash “Lil Bit,” and Dean Brody and The Reklaws'“I Can’t Help Myself,” which showcased a knack for party starting, hitting No. 1 in Canada and setting a record for the most one-week radio spins in the nation’s history. Redferrin is set to release more new music this year as he continues chasing high-speed dreams with the throttle pinned and no kill switch.